Singapore Hifi Repair was born from a simple belief: that beautiful audio equipment — whether it’s a 50-year-old tube radio or a high-end Goldmund power amplifier — deserves a second chance, not a skip bin.
My name is Lawrence, and I’ve been fascinated by electronics for as long as I can remember. Growing up surrounded by radios, amplifiers, and reel-to-reel decks, I developed an early obsession with how things work — and more importantly, how to bring them back to life when they stop working.
That passion led me to pursue a degree in Electrical & Electronic Engineering, where I gained the theoretical foundation to understand not just what is broken, but why it broke and how to fix it properly. Unlike many repair shops that swap parts until something works, I diagnose from first principles.
Rehome Audio grew out of years of helping friends, collectors, and fellow audiophiles with gear they’d inherited from parents or grandparents — items with enormous sentimental and sonic value but nowhere to go. A Nakamichi cassette deck that hadn’t played a tape in twenty years. A tube radio pulled out of a grandfather’s attic. A Walkman that once soundtracked a teenage commute. Each one tells a story. My job is to keep that story going.
Today I work on everything from humble vintage radios to some of the finest audio equipment ever made — Krell, Mark Levinson, McIntosh, Nagra, CH Precision. High-end or humble, the approach is the same: thorough diagnosis, honest advice, and workmanship you can hear.
If you have a piece of gear that’s meaningful to you — whether it was handed down to you or bought with your own savings — bring it in. I’ll tell you honestly what it needs.
A Bachelor’s degree in Electrical & Electronic Engineering means every repair is grounded in real circuit theory — not guesswork. When a vintage amplifier comes in, I read schematics the way others read a newspaper.
Each piece is opened, inspected, and diagnosed before any quote is given. You’ll know exactly what’s wrong, what it costs to fix, and whether it’s worth fixing — honest advice, always.
This isn’t a job — it’s a vocation. I’ve been taking apart and putting back together audio equipment since I first started working. The gear you bring in gets the same care I give to my own collection.
From entry-level vintage finds to five-figure reference components, the workshop has handled them all. No brand is too obscure, no fault too stubborn.